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Broadcast and CD playback de-emphasis

Vinyl has the RIAA curve (chapter 15). FM radio and early compact discs use different pre-emphasis schemes — treble boosted on record, treble cut on playback — and if you digitize the wrong side of that bargain, the file sounds dull (de-emphasis never applied) or harsh and thin (de-emphasis applied twice).

FM — 50 µs and 75 µs

FM broadcasters boost highs before transmission so hiss is less audible; your receiver cuts them back on playback. Archives of off-air FM captures, or files from tuners that output “flat” RF-discriminator audio, often still carry that treble tilt.

The time constant names the curve:

  • 50 µs — common in Europe and much of the world.
  • 75 µs — common in the Americas.
cathar deemphasis fm_capture.wav --curve fm50 --out flat.wav
cathar deemphasis us_fm.wav --curve fm75 --out flat.wav

Listen after one pass. If it gets brighter instead of more natural, you may have started from already-flat audio — don’t de-emphasize twice.

Early CD — 50/15 µs optional pre-emphasis

Most CDs you meet are flat — no pre-emphasis. A minority of early titles (roughly the Red Book optional pre-emphasis flag era) were mastered with a 50/15 µs emphasis curve. If a CD rip sounds oddly dull or muffled compared to a reference, this is one thing to check.

cathar deemphasis odd_cd.wav --curve cd --out flat.wav

RIAA vs deemphasis vs riaa

CurveTypical sourceCathar command
RIAAVinyl digitized without a phono stageriaa
FM 50 / 75 µsOff-air FM, some tuner capturesdeemphasis --curve fm50 / fm75
CD 50/15 µsRare pre-emphasized CD mastersdeemphasis --curve cd

riaa is vinyl-specific (and supports --elliptical for stereo rumble). deemphasis is the broadcast/CD family. Pick the curve that matches how the recording was emphasized before capture, then apply the matching playback de-emphasis once.

How the big tools do it

  • Audacity and most DAWs expose generic EQ; you can dial an FM de-emphasis shelf by hand, but there’s no one standard menu item.
  • Dedicated archival tools sometimes bundle FM and tape NR curves alongside vinyl workflows.
  • Cathar keeps each curve as a named, inspectable first-order filter — one command, one job, scriptable like everything else in the toolkit.